Listening as Spiritual Practice in Early Modern Italy($85.00Value)

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The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences―such as tonal music―began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell’Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell’Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation. " Listening as Spiritual Practice aligns in new ways many of our understandings of early modern musical culture." -- Jennifer Thomas ― Renaissance Quarterly Published On: 2013-06-01 How might virtuosity make one virtuous? In this new brilliant new study, Dell Antonio takes the reader into the heart of elite masculine circles in post-Tridentine Rome, where listening to the new music was an active process, and music, like the art objects collected by noble patrons, provided a path to spiritual enlightenment. A major contribution that enhances our understanding of seventeenth-century music and its relationship to theology, rhetoric, and the visual arts. Wendy Heller, author of Emblems of Eloquence: Opera and Women s Voices in Seventeenth-Century Venice This highly intelligent, deeply researched, and fascinating book is an important contribution to the cultural history of early seventeenth-century Italy, and especially to new interdisciplinary approaches to the historiography of musical aesthetics. Its exploration of the construction of late Renaissance and early Baroque cultural and spiritual mentalities through the medium of listening breaks new ground and provides a wealth of fresh perspectives that help to elucidate early modern understanding of the links between senses and sensibilities. Richard Wistreich, Dean of Research and Enterprise, Royal Northern College of Music “How might virtuosity make one virtuous? In this new brilliant new study, Dell’Antonio takes the reader into the heart of elite masculine circles in post-Tridentine Rome, where listening to the ‘new music’ was an active process, and music, like the art objects collected by noble patrons, provided a path to spiritual enlightenment. A major contribution that enhances our understanding of seventeenth-century music and its relationship to theology, rhetoric, and the visual arts.” ―Wendy Heller, author of Emblems of Eloquence: Opera and Women’s Voices in Seventeenth-Century Venice “This highly intelligent, deeply researched, and fascinating book is an important contribution to the cultural history of early seventeenth-century Italy, and especially to new interdisciplinary approaches to the historiography of musical aesthetics. Its exploration of the construction of late Renaissance and early Baroque cultural and spiritual mentalities through the medium of listening breaks new ground and provides a wealth of fresh perspectives that help to elucidate early modern understanding of the links between senses and sensibilities.” ―Richard Wistreich, Dean of Research and Enterprise, Royal Northern College of Music Andrew Dell’Antonio is Professor in the Musicology/Ethnomusicology Division at the University of Texas at Austin, Butler School of Music. He is a former Mellon Fellow at the Harvard-Villa I Tatti Center for Italian Renaissance Studies and the editor of Beyond Structural Listening? Postmodern Modes of Hearing (UC Press). Listening as Spiritual Practice in Early Modern Italy By Andrew Dell'Antonio UNIVERSITY OF CALIFORNIA PRESS Copyright © 2011 The Regents of the University of California All rights reserved. ISBN: 978-0-520-26929-3 Contents Acknowledgments, ix, Introduction: Listening as Spiritual Practice, 1, 1. Rapt Attention, 15, 2. Aural Collecting, 35, 3. Proper Listening, 66, 4. Noble and Manly Understanding, 95, Envoy: From Gusto to Goût, 121, Appendix: Lelio Guidiccioni, "Della Musica": Transcription and Translation, 135, Notes, 157, Bibliography, 197, Index, 213, CHAPTER 1 Rapt Attention I turn to you, most blessed winged spirit, as you prepare to restore and comfort the languid and lovesick Francis with your song; ah, hold back the accenti, no longer play that harmonious instrument, which in being too lively brings him death and in lifting him too high oppresses him. Have mercy by stopping the course of so much mercy. If one more note comes out, it will relieve him of all life breath. If you wound that thin string one more time, you will cut the string of his life; nor can you handle that sweet bow again, for he will remain slain by its a